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Version du 8 janvier 2017 à 18:38 par Henrique (discuter | contributions)
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Manifeste technopolitiqueContinuer la lecture de Manifeste technopolitique ]]>La dé-modernisation permanente de la pensée
The Ongoing De‑Modernization of Thought In a conversation with Camilla Zani, Eduardo Viveiros de Castro traces and questions his intellectual connection with Bruno Latour and his main intellectual themes, echoing a previous interview published by the journal with theorist Donna Haraway, also on Latour’s legacy. The Brazilian anthropologist defends the perspective of decolonization and de-modernization of thought through attention to other cosmologies, particularly those of indigenous communities in Latin America.]]>Le « comforting gaze » à l’écranThe “Comforting Gaze” on Screen This article offers a critical analysis of the film genre known as “social realism”. Drawing on recent works by Emilia Perez, Anora and Bird, social realism is viewed not as a process of revealing difference that leads to awareness, but as a mechanism that fuels what philosopher Antonio Gramsci calls “cultural hegemony”. Images, like their production and distribution, are always caught up in cultural issues that transcend them, which they either fuel or transform. Directors do not become subversive denouncers, but organic intellectuals participating in the unification of a univocal consciousness. What emerges is the impossibility of neglecting the viewer’s relationship (his habitus) to his cultural object, but also the impossibility of equating disinterested entertainment with rigorous documentation.]]>Interfaces anthropotechniquesAnthropotechnical Interfaces This interview was conceived in order to elaborate on the idea of the anthropotechnical interface, a notion that appears as the subtitle of Postnaturalism (2014). This term constitutes the guiding thread that extends throughout the trilogy that Shane Denson concludes with Discorrelated Images (2020) and Post-Cinematic Bodies (2023). These three books examine the post-phenomenological becoming of algorithmic media through analyses of temporalities and post-cinematic artistic experiments. They interrogate the evolution, as well as the convergences and divergences, between perceptual organs and the phylogenesis of technical media, which diffract suprasensible temporalities for the eye of the flesh.]]>Écouter les tonalités d’un retournement politique Chili, janvier 2026Continuer la lecture de Écouter les tonalités d’un retournement politiqueChili, janvier 2026 ]]> L’avenir du RojavaContinuer la lecture de L’avenir du Rojava ]]>La banque centrale de la démocratieUn accélérateur du projet européenContinuer la lecture de La banque centrale de la démocratieUn accélérateur du projet européen ]]> L’aporie des BRICS+ Tensions, asymétries et formes de dominationContinuer la lecture de L’aporie des BRICS+Tensions, asymétries et formes de domination ]]> Les États africains et les BRICS+ De l’attraction à l’illusionAfrican States and BRICS+ From Attraction to Illusion The expansion of BRICS+ to include African states fuels hopes for a more assertive role for the continent in the international order and an alternative to Western partnerships. African countries see this primarily as an opportunity for economic growth and less restrictive sources of financing. However, despite their critical discourse on the world order, the BRICS+ remain largely rooted in neoliberal logic. The group’s ambiguities on democracy and human rights undermine its credibility. Finally, internal African rivalries risk turning this dynamic into a strategic illusion rather than a real lever for change.]]> |
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